If you're here for the first time, a quick note of explanation. I started this blog to document the construction of our new state-of-the-art studio facility. Building began during the Summer of 2008, and we moved in on Valentine's Day 2009.
There are lots of photos and lots of geeky details about our project. If you'd like to follow the project from the beginning, start with the earliest posts.
I hope you enjoy. And thanks for stopping by!
Fred Story
Wednesday, December 23, 2009
Monday, April 13, 2009
Addendum...
Doh! I just realized that I neglected to post any shots of Studio 1, probably the most beautiful, eye-opening space in the facility. Let me correct that oversight.
These shots show the room from three different perspectives, and highlight the way the room doubles as a tracking room and screening room for film and TV work. To give you a sense of scale, the theatre curtain is 18 feet wide, and the monitor is a Mitsubishi 73 inch 1080p DLP. The surround system features a Yamaha receiver and Klipsch 5.1 surround speakers.
Needless to say, I don't watch movies at home much anymore.
These shots show the room from three different perspectives, and highlight the way the room doubles as a tracking room and screening room for film and TV work. To give you a sense of scale, the theatre curtain is 18 feet wide, and the monitor is a Mitsubishi 73 inch 1080p DLP. The surround system features a Yamaha receiver and Klipsch 5.1 surround speakers.
Needless to say, I don't watch movies at home much anymore.
Thursday, April 9, 2009
Done!
I suppose this is to be the final post of my humble blog. We've been in our new space for just over a month, and we couldn't be happier. In fact, it's safe to say we'll be pinching ourselves for a while to come. Thanks are hardly sufficient, so I'll simply acknowledge the following folks once again:
Architect Brian Gaddis - BEG Architects.
Studio Designer David Rochester - Technical Audio Services
Builders Tracy Reitzell and Jerry Hyde - Denver Construction
Interior Design Consultant Bobbie Cox - Custom Dragonfly Designs
And then there were all those pros working on all those crews from all those subs...too many to mention. The quality of their work is clearly on display.
Throughout the process I was constantly asking, "How can we...?", and these folks always had an answer - or came up with one in short order.
Now I suppose you'd like some proper photographs. All images by Graham Smith, Red Pepper Photography.
Let's start at the front door. I think the front entrance and lobby look especially great at night.
As you head straight down the main corridor, the first room is kitchen/break room.
Down the hall and to the right is Control Room A. Here are shots toward the front and rear of the room where our sound designer/mixer Anthony Fedele spends his day.
Go out Anthony's door, turn right, and the next door is Studio 2, our primary VO/ADR booth - which also gets used for instrumental overdubs. To give you an idea of the room's scale, here are shots from a vertical and horizontal perspective.
Exit Studio 2, turn the corner, and at the end of the hall is Control Room B. Composer and guitarist Michael McGinnis does his magic here.
If you circle back to the front lobby and take the other hallway you'll find the offices, Control Room C and Studio 3. Here's a shot of Studio 3, our small vocal booth.
And finally, Control Room C - where yours truly does his thing.
Like any project of this magnitude, there were ups and downs. (The downs were primarily financing issues. The big meltdown happened right in the middle of construction.) There were challenges, large and small. But ultimately, I can't say enough good things about the team we had working with us on our new facility. Their passion for the project and commitment to nailing the details will always be appreciated.
Thank you for visiting, and I hope we don't do this again for A VERY LONG TIME!
All the best,
Fred Story
Architect Brian Gaddis - BEG Architects.
Studio Designer David Rochester - Technical Audio Services
Builders Tracy Reitzell and Jerry Hyde - Denver Construction
Interior Design Consultant Bobbie Cox - Custom Dragonfly Designs
And then there were all those pros working on all those crews from all those subs...too many to mention. The quality of their work is clearly on display.
Throughout the process I was constantly asking, "How can we...?", and these folks always had an answer - or came up with one in short order.
Now I suppose you'd like some proper photographs. All images by Graham Smith, Red Pepper Photography.
Let's start at the front door. I think the front entrance and lobby look especially great at night.
As you head straight down the main corridor, the first room is kitchen/break room.
Down the hall and to the right is Control Room A. Here are shots toward the front and rear of the room where our sound designer/mixer Anthony Fedele spends his day.
Go out Anthony's door, turn right, and the next door is Studio 2, our primary VO/ADR booth - which also gets used for instrumental overdubs. To give you an idea of the room's scale, here are shots from a vertical and horizontal perspective.
Exit Studio 2, turn the corner, and at the end of the hall is Control Room B. Composer and guitarist Michael McGinnis does his magic here.
If you circle back to the front lobby and take the other hallway you'll find the offices, Control Room C and Studio 3. Here's a shot of Studio 3, our small vocal booth.
And finally, Control Room C - where yours truly does his thing.
Like any project of this magnitude, there were ups and downs. (The downs were primarily financing issues. The big meltdown happened right in the middle of construction.) There were challenges, large and small. But ultimately, I can't say enough good things about the team we had working with us on our new facility. Their passion for the project and commitment to nailing the details will always be appreciated.
Thank you for visiting, and I hope we don't do this again for A VERY LONG TIME!
All the best,
Fred Story
Saturday, February 28, 2009
I need photography lessons...
As I'm sure you've noticed by now, the quality of the photography on this blog is far from a professional. The REAL professional (Graham Smith from Red Pepper Photography) will be here this week to plan a proper photo shoot. Meanwhile, you're stuck with more of my blurry renderings.
This week, we actually got everything put away (well...for the most part, anyway) and began work in the new digs. I didn't try to stage these shots. They're as I found everything as I roamed around for some random pics.
Here's my control room. The shot toward the back of the room is particularly bad, but it at least gives you a sense of the color choices.
The break room turned out really nice. And the booths and tables finally arrived. I mentioned earlier that the booths came from the old Mantis Restaurant, a Charlotte institution - which closed a few years ago. I didn't mention that the Mantis was only a block away from a studio where I used to work often, and I used to eat lunch at the Mantis frequently. There's a good chance I sat in one or both of these booths before.
This week Mike finally broke down and bought a new guitar amp he's been eyeing. He didn't waste any time taking advantage of the fact that our quiet, spacious control rooms now allow him to mic an amp right in the room.
While the control rooms don't boast much in the way of natural light, the common areas certainly do. Here's a shot of what you see the instant you walk through the front door. (It's a rainy day here, as you can see.)
And here's Architect Brian Gaddis's display case design in all it's finished beauty.
In addition to the breakroom booths, we've also preserved some vintage vibe by bringing along our original-condition, 1940's era theatre seats. They make a comfortable spot to land if you need to step out of a session for a quick cellphone call.
Finally, there's one room I can't wait to have real photographs taken of, and that's Studio 1. I almost hesitate to post my blurry shots. But hey, it'll make me appreciate the real ones that much better.
Without a tripod, it's difficult to show the effect of the Concentrix green backlighting on the rear wall of the studio. But here's a lame attempt.
Here's another shot of the rear wall including the piano. (A 1968 vintage Yamaha C7, for you keyboard aficionados.)
And now - the screening wall. Remember, the curtain wall is over twenty feet wide, which should give you a sense of scale for the 73" 1080p monitor. The surround playback system consists of a Yamaha receiver and Klipsch surround speakers. The system will make a great "real world" reference for 5.1 surround mixes.
The theatre curtains can be pulled completely shut to cover the entire configuration and deaden the acoustics for recording, or open wide for a livelier room sound.
Well, that's it for now. I may post a few more personal shots as I see things I think may be of interest. But I hope Graham can schedule the facility photo shoot soon, so everyone can REALLY see how beautiful our new space turned out.
Until next time...
This week, we actually got everything put away (well...for the most part, anyway) and began work in the new digs. I didn't try to stage these shots. They're as I found everything as I roamed around for some random pics.
Here's my control room. The shot toward the back of the room is particularly bad, but it at least gives you a sense of the color choices.
The break room turned out really nice. And the booths and tables finally arrived. I mentioned earlier that the booths came from the old Mantis Restaurant, a Charlotte institution - which closed a few years ago. I didn't mention that the Mantis was only a block away from a studio where I used to work often, and I used to eat lunch at the Mantis frequently. There's a good chance I sat in one or both of these booths before.
This week Mike finally broke down and bought a new guitar amp he's been eyeing. He didn't waste any time taking advantage of the fact that our quiet, spacious control rooms now allow him to mic an amp right in the room.
While the control rooms don't boast much in the way of natural light, the common areas certainly do. Here's a shot of what you see the instant you walk through the front door. (It's a rainy day here, as you can see.)
And here's Architect Brian Gaddis's display case design in all it's finished beauty.
In addition to the breakroom booths, we've also preserved some vintage vibe by bringing along our original-condition, 1940's era theatre seats. They make a comfortable spot to land if you need to step out of a session for a quick cellphone call.
Finally, there's one room I can't wait to have real photographs taken of, and that's Studio 1. I almost hesitate to post my blurry shots. But hey, it'll make me appreciate the real ones that much better.
Without a tripod, it's difficult to show the effect of the Concentrix green backlighting on the rear wall of the studio. But here's a lame attempt.
Here's another shot of the rear wall including the piano. (A 1968 vintage Yamaha C7, for you keyboard aficionados.)
And now - the screening wall. Remember, the curtain wall is over twenty feet wide, which should give you a sense of scale for the 73" 1080p monitor. The surround playback system consists of a Yamaha receiver and Klipsch surround speakers. The system will make a great "real world" reference for 5.1 surround mixes.
The theatre curtains can be pulled completely shut to cover the entire configuration and deaden the acoustics for recording, or open wide for a livelier room sound.
Well, that's it for now. I may post a few more personal shots as I see things I think may be of interest. But I hope Graham can schedule the facility photo shoot soon, so everyone can REALLY see how beautiful our new space turned out.
Until next time...
Sunday, February 22, 2009
The unpacking continues.
I think we're down to the last few boxes. Kudos to David Rochester and his crew for making it so that we were able to execute this incredibly complicated move with only ONE DAY when we couldn't do sessions. Amazing!
Some rooms are still looking a little disheveled, but the rooms we needed to be online for sessions this week are looking pretty good. So, here they are...the first photos of finished rooms.
Let's start in Studio 1. Although there are still some boxes lying about, here are a couple of shots to serve as a sneak preview.
For ceiling diffusers, David decided to recycle the wooden slats from our old Studio 1. Each piece of wood was carefully removed, cut to the correct length and given a beveled edge for a more custom look. The effect is just beautiful, and we could hear the difference in the room immediately.
I'm saving the screening room wall as a surprise, but here's a shot toward the rear corner of the studio after the piano was delivered.
Now to Studio 2. This is the main voiceover/ADR room, and here it's set up from the past week's sessions.
Studio 3 is the small vocal booth. We typically leave it set up for remote ISDN voiceover sessions, mainly with Procomm - our studio partners in the North Carolina mountains.
And now for the control rooms. Since Anthony was the first to have sessions this week, his room was put together first. Since the control rooms are all the same except for fabric and color differences, these shots should give you a good feel for the vibe.
Finally, although it looks spiffier at night, here's a shot of the front lobby display case in bright daylight - with most of the stuff that goes in it. (Mike has yet to bring his recent Emmy from home, and one of my Emmys didn't survive the move. She's lying in state with broken wings and a broken base, awaiting the trip to her final resting place so a replacement can be sent.)
The reaction to this feature has been interesting. Until people get closer, they think the back wall is stone. It's actually white oak, cut in random lengths and widths. Our logo will go in the black space above. The sign company is supposed to install it tomorrow.
I know I keep apologizing for the quality of the photos from my iPhone. It's always with me, so it's the most convenient way for me to document things...but I hate it when shots like this one turn out blurry.
Here's the dream team...or part of it, anyway. From left to right:
Matt, David and John from Technical Audio services. Jerry from Denver Construction. Donnie and Zac from Technical audio services. These are some of the hands who made it all happen.
Today is Sunday. I'm here putting more stuff away, hanging pictures and posters, and attending to those all-important finishing details...like cutting new carpet pads for the music/copy stands. (The old ones were starting to look ratty.) So off I go. I'll upload more photos later in the week as the clutter subsides.
Until next time...
Some rooms are still looking a little disheveled, but the rooms we needed to be online for sessions this week are looking pretty good. So, here they are...the first photos of finished rooms.
Let's start in Studio 1. Although there are still some boxes lying about, here are a couple of shots to serve as a sneak preview.
For ceiling diffusers, David decided to recycle the wooden slats from our old Studio 1. Each piece of wood was carefully removed, cut to the correct length and given a beveled edge for a more custom look. The effect is just beautiful, and we could hear the difference in the room immediately.
I'm saving the screening room wall as a surprise, but here's a shot toward the rear corner of the studio after the piano was delivered.
Now to Studio 2. This is the main voiceover/ADR room, and here it's set up from the past week's sessions.
Studio 3 is the small vocal booth. We typically leave it set up for remote ISDN voiceover sessions, mainly with Procomm - our studio partners in the North Carolina mountains.
And now for the control rooms. Since Anthony was the first to have sessions this week, his room was put together first. Since the control rooms are all the same except for fabric and color differences, these shots should give you a good feel for the vibe.
Finally, although it looks spiffier at night, here's a shot of the front lobby display case in bright daylight - with most of the stuff that goes in it. (Mike has yet to bring his recent Emmy from home, and one of my Emmys didn't survive the move. She's lying in state with broken wings and a broken base, awaiting the trip to her final resting place so a replacement can be sent.)
The reaction to this feature has been interesting. Until people get closer, they think the back wall is stone. It's actually white oak, cut in random lengths and widths. Our logo will go in the black space above. The sign company is supposed to install it tomorrow.
I know I keep apologizing for the quality of the photos from my iPhone. It's always with me, so it's the most convenient way for me to document things...but I hate it when shots like this one turn out blurry.
Here's the dream team...or part of it, anyway. From left to right:
Matt, David and John from Technical Audio services. Jerry from Denver Construction. Donnie and Zac from Technical audio services. These are some of the hands who made it all happen.
Today is Sunday. I'm here putting more stuff away, hanging pictures and posters, and attending to those all-important finishing details...like cutting new carpet pads for the music/copy stands. (The old ones were starting to look ratty.) So off I go. I'll upload more photos later in the week as the clutter subsides.
Until next time...
Monday, February 16, 2009
We're in.
After final inspections we received our Certificate of Occupancy on Friday. Not unusual to cut it that close, I'm told. Movers came yesterday morning (Saturday), and our stuff is officially in the new facility.
Sorry, no pictures for this post. We've been scrambling like demons to get everything hooked up and ready for sessions this week. So far, David Rochester and his crew (thanks John, Zac and Donnie!) are doing a bang-up job. Matt returns tomorrow for a few carpentry details like installing the racks for all of our project backups. (We have almost 2,000 discs - so it's not exactly a small job.)
Two of the control rooms are on line. Mike had the honor of first playback in the new control rooms. His choice? The Avett Brothers. Good call.
Our IT guru, James Caudill was also on hand today to make sure the ethernet connections were cooking and to move our server in anticipation of the telecom switch tomorrow.
Later in the evening I hooked up our new PS3 to the Mitsubishi 73" 1080p monitor in Studio 1. I brought two Blu-Ray discs to test the system,"The Dark Knight" and "Wall-E". Between lending a hand with this and that, I managed to sneak in a few scenes. It was wonderful, and for a very simple reason. It reminded me of why we're going to all this trouble...
To give people that feeling. There's nothing else like it.
Pictures to come when I have time to stop and snap...and when the place looks less like a disaster area.
Until next time...
Sorry, no pictures for this post. We've been scrambling like demons to get everything hooked up and ready for sessions this week. So far, David Rochester and his crew (thanks John, Zac and Donnie!) are doing a bang-up job. Matt returns tomorrow for a few carpentry details like installing the racks for all of our project backups. (We have almost 2,000 discs - so it's not exactly a small job.)
Two of the control rooms are on line. Mike had the honor of first playback in the new control rooms. His choice? The Avett Brothers. Good call.
Our IT guru, James Caudill was also on hand today to make sure the ethernet connections were cooking and to move our server in anticipation of the telecom switch tomorrow.
Later in the evening I hooked up our new PS3 to the Mitsubishi 73" 1080p monitor in Studio 1. I brought two Blu-Ray discs to test the system,"The Dark Knight" and "Wall-E". Between lending a hand with this and that, I managed to sneak in a few scenes. It was wonderful, and for a very simple reason. It reminded me of why we're going to all this trouble...
To give people that feeling. There's nothing else like it.
Pictures to come when I have time to stop and snap...and when the place looks less like a disaster area.
Until next time...
Sunday, February 8, 2009
Moving toward the finish line.
It's official. The first of our three new control rooms is ready for furniture and equipment.
Zac has just finished stuffing insulation above the suspended ceiling and placing the remaining ceiling tiles. That's why he's wearing the hazmat suit and mask. The black rectangle high on the front wall holds the mount for the 52" flat panel hi-def LCD monitor.
As you can see, the Argosy consoles have been assembled. It took a couple of days to put together the consoles and producer desks for all three rooms. But as usual, Mike found a way to make it fun.
I've mentioned in previous posts that Studio 1 will double as a screening room with a 73" DLP 1080p monitor. This week the custom cabinet work arrived to hold the monitor, audio components and speaker. David shows off the handiwork.
The towers to the left and right will be covered with black speaker grill cloth to give the unit a seamless appearance. The video monitor is exactly as high as the towers. A valance will drop from the ceiling to the perimeter of the top and sides. Once installed, the main theatre curtain can be pulled completely shut to obscure the unit, opened to the side of the unit for screenings, or opened all the way to the side walls to add some more liveliness to the room's acoustics.
To give you a sense of scale, the screen is 65" wide and 43" high.
Novawall fabric installation continues in the other two control rooms. Here's a sneak preview of the color scheme in Control Room A, where Anthony will craft fabulous sound design and mixes.
And in Studio 3, the small vocal booth, acoustics are being installed. To save time and money, David decided to create custom frames for Ready Traps from Ready Acoustics. Once stuffed, the frames will be covered with Guilford of Maine fabric then trimmed with oak for a custom look. The oak chase in the center will hold the mic panel and a 32" 1080p monitor where you see the gap in the chase. Studio 2, the medium sized room, is getting the same treatment only with a larger video monitor.
Moving day is now six days away. Will everything be ready? Sta-a-a-a-y tuned.
Until next time...
Zac has just finished stuffing insulation above the suspended ceiling and placing the remaining ceiling tiles. That's why he's wearing the hazmat suit and mask. The black rectangle high on the front wall holds the mount for the 52" flat panel hi-def LCD monitor.
As you can see, the Argosy consoles have been assembled. It took a couple of days to put together the consoles and producer desks for all three rooms. But as usual, Mike found a way to make it fun.
I've mentioned in previous posts that Studio 1 will double as a screening room with a 73" DLP 1080p monitor. This week the custom cabinet work arrived to hold the monitor, audio components and speaker. David shows off the handiwork.
The towers to the left and right will be covered with black speaker grill cloth to give the unit a seamless appearance. The video monitor is exactly as high as the towers. A valance will drop from the ceiling to the perimeter of the top and sides. Once installed, the main theatre curtain can be pulled completely shut to obscure the unit, opened to the side of the unit for screenings, or opened all the way to the side walls to add some more liveliness to the room's acoustics.
To give you a sense of scale, the screen is 65" wide and 43" high.
Novawall fabric installation continues in the other two control rooms. Here's a sneak preview of the color scheme in Control Room A, where Anthony will craft fabulous sound design and mixes.
And in Studio 3, the small vocal booth, acoustics are being installed. To save time and money, David decided to create custom frames for Ready Traps from Ready Acoustics. Once stuffed, the frames will be covered with Guilford of Maine fabric then trimmed with oak for a custom look. The oak chase in the center will hold the mic panel and a 32" 1080p monitor where you see the gap in the chase. Studio 2, the medium sized room, is getting the same treatment only with a larger video monitor.
Moving day is now six days away. Will everything be ready? Sta-a-a-a-y tuned.
Until next time...
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